Tag Archives: Art

Sisyphus Brewing Mural Defaced

Just days into the new year, the 10×10 mural painted on the building that houses Sisyphus Brewing at the corner of Ontario and Lyndale Avenue in Minneapolis was defaced. The artwork was created by local artists Adam Turman and Josh “Jawsh” Lemke just over a year ago and paid for by 186 backers of a successful Kickstarter campaign.

“We wanted to support the local art community and put something cool on a wall for people to look at,” explains Sam Harriman, head brewer and co-owner. “It makes no sense why they painted where they did – there is plenty of space up there for people to do something.”

sisyphus_3Reaction to the news and the defaced image, posted to the brewery’s page on Facebook is a mixture of outrage and sympathy. Comments range from doing something extreme to just letting it be. Others ask where they can make a contribution to repair the one-of-a-kind mural.

“Adam and Jawsh are going to repair the damage once the weather warms up,” Harriman reports. “They can’t paint when it’s this cold out. They also want to paint the whole wall and hope that discourages a repeat vandalism, but that’s pricey and my landlord isn’t exactly on board with that idea (yet).”

Please call Minneapolis Police if you have information about the individual(s) responsible for the graffiti.

Updated – 1/6/2015 at 12:47 from Sam: “We have the name of the individual responsible, but he’s from Cincinnati and just is going around city to city doing this. It is unlikely he’s still in Minneapolis.”

Officer John Elder of the Minneapolis Police Department said they are investigating.

Surly Brewing – NEIN Label Art

Minneapolis artist Erica Williams has returned to with pen and ink to create label art for Surly Brewing’s 9th Anniversary Beer, NEIN. Williams has experience with bottle label art. She crafted the 2014 Surly Darkess artwork, and she worked with Indeed Brewing on their Derailed Series.

Erica’s inspiration for Surly’s Nein Anniversary Ale artwork mirrors that of the ale itself. “Todd visited Germany and knew he wanted the beauty of traditional German aesthetic reflected in the label so I used heraldry as my main source of inspiration. Lions, black eagles, billowing scrolls, and symbolically powerful imagery are commonly found in their shields, architecture, and art so we went with that,” said Williams. “I also used three lions, each with three eyes, because Todd and I are both cat people and I wanted to infuse the label with 3s and 9s. The oak leaves play to the process of making the beer and the spades are a symbol of good luck.”

“I put a lot of time into planning my drawings but I always leave room to allow them to develop organically in the moment.”
– Erica Williams

The label was drawn with pen and ink incorporating lots of small details and flowing lines. Like all her drawings, Erica used Rotring Rapidograph pens. She says they are “amazing” and the different sizes allow her to achieve the desired level of detail.

From the bottle:

Who Would have thought, when we sold our first keg in 2006, that we would raise our 9th Anniversary glasses in a  new brewery, restaurant, and beer hall? So much has changed in such a short time, both at Surly and across Minnesota. The state’s beer scene is exploding and we are proud to have been part of the boom. Two things, however, haven’t changes a bit – Todd’s distinctive take on beer styles and our local artists’ amazing talent. Erica Williams’ meticulous design for NEIN is the perfect match for Todd’s approach to his craft.
 
Cheers to nine years!
Omar Ansari
 
Inspired by a recent trip to Bamberg, Germany, NEIN is brewed with oak-smoked wheat malt, fermented with German Hefeweizen yeast, and aged on charred oak. It is a huge, complex, dark beer, delivering the flavors of smoked banana, vanilla, and clove.
 
Todd Haug

Surly Nein Anniverary Ale - Artist Erica Williams
Surly Nein Anniverary Ale – Artist: Erica Williams

Surly Darkness 2014 Artwork – Updated

Surly Darkness 2014 artwork by Minneapolis artist Erica Willams has been released.

Erica’s macabre theme fits the tone of Surly’s Russian Imperial Stout, which is released around Halloween each autumn. This year Darkness descents on Brooklyn Center on October 25th. Are there people in line yet?

From the bottle:

The legendary Harpy tortured unwary travelers by stealing their precious food and drink. This year’s cruel creature defends her cauldron of Darkness with razor claws and dead stare of malevolence. Don’t mess with her Darkness.

She is hoarding this massively opaque barrel aged Stout screaming with notes of chocolate, coffee, dried tart cherries, vanilla, rye whiskey and raisins. The thick body of this Russian Imperial Stout finishes sweet, with a piney resinous hop character.

Dare if you will to open the bottle and steal the from the imagination of our 2014 Darkness artist, Erica Wiliams.

Update

Plenty of people picked up on the fact that Darkness is barrel aged this year. Brewer Todd Haug confirmed the fact on twitter. He also said that there will be even more Darkness than ever, about 30K bottles.


Surly Darkness 2014

Justin Strom, Artist: Science + Art = Beer

beer3 Justin Strom can do something no one else has ever accomplished in art before. His, never seen before, bubble technique has allowed him to capture two loves at the same time, paint and beer. The love he has for both has caused a three year drive to honor beer and push the boundaries of what paint can do. You can have a chance to view his work at The Pancakes and Booze event at The Loft in Barfly on April 6th.

Starting his craft as a home painter Justin rose to the demand of what his clients wanted of him. To rise up to the challenge he learned all he could about paint and how it worked. This started the desire to understand the science of paint and began the drive to do something with it that was never intended. This allowed him to develop him bubble technique.

Craft brewing fans will understand the desire to push what a thing can be (some of you may have tried Voodoo Doughnut Maple Bacon Ale by Rouge…). “Good beer does not happen by accident, it is created, planned, developed thru failing and understanding every single ingredient and the all aspects of the process. This in a way is the same with art, you have to know your paint and your products and be willing to fail a few times to get it just right,” says Justin. This veteran home brewer applied this determination to the over three year search to perfect his technique.

beer1

Join Justin this Saturday for the debut of this new art form. You can see the paintings on the second floor of Barfly, The Loft, at 8pm. For further details follow this link. https://www.facebook.com/events/511395498888190/

Review: MIA’s CrossTalk Tudor Keg Party

What do museum aficionados and beer geeks have in common? Last Thursday’s CrossTalk Tudor Keg Party at the Minneapolis Institute of Arts.

The MIA’s Crosstalk series brings together two experts to present different viewpoints on an aspect of history and modern culture. For the Tudor Keg Party, experts Jeffrey Pilcher, a food historian and professor at the University of Minnesota, and Eric Harper, a brewer for Summit Brewing Company, discussed their expertise and views on beer of the past, present, and future.

Summit Brewing Co Oak BarrelDr. Pilcher presented his lecture first. He discussed the brewing process in the Tudor period and how it was not so different from today. (The Tudor period runs from roughly the end of the 1400s through the beginning of the 1600s—think King Henry VII, the Church of England breaking from Rome, William Shakespeare, the Black Death, Christopher Marlowe, and Queen Elizabeth I). The brewing process hasn’t changed much, though the knowledge behind it has. There were both home brewers and commercial brewers in the Tudor period. In fact, most brewing was done at home by women until the Black Death and other sicknesses caused beer to become more widely available at public houses, or pubs.

Dr. Pilcher also talked about the perception of beer and brewers in the Tudor period. The women who brewed beer, ale wives, were seen as frugal shrew-like beings who watered down beer to make more money on less product. The same perception doesn’t seem to have existed for male brewers.

Mr. Harper’s part of the lecture focused more on the history of Summit Brewing. He talked about Summit’s current grasp on the beer market compared to larger players, the development of the Unchained series, and how he came to brew for Summit. Of particular interest, however, was his discussion of the beer that he brought to the Tudor Keg Party, Summit’s Tudor Ale, a recipe adapted from English recipes out of the period.

In order to craft the Tudor Ale, Mr. Harper worked with Dr. Pilcher and other historians to find actual recipes from the time. The recipes that he showed us didn’t shed a lot of light on the brewing process or what a beer from the period might taste like. One recipe called for brewing the ingredients “according to the art.” Another recipe suggested that the ingredients should be boiled a “reasonable while.” More baffling was the variety in the lists of ingredients: A bushel of oatmeal, a rind of fir, sassafras, a “good quantity” of sage, five new-laid eggs.

Fortunately for us, Mr. Harper did not follow those recipes exactly, and instead cobbled together a recipe that incorporated his wide knowledge of beer and the style of the Tudor period. In the Tudor period, malt was made by soaking barley in water in a hole in the ground and roasting it in a fire. To get a similar effect, Mr. Harper used floor-roasted organic malt in conjunction with a couple of other malts for flavor and color.

Two other things that stood out in this recipe were the use of oak barrels and sage. Brewers in the Tudor period used oak barrels for storing their beer, so to get the right effect, Mr. Harper brought oak barrels over from England for the Tudor Ale. Many of the recipes that Mr. Harper showed us during the lecture featured sage, so he incorporated that as well.

Summit Brewing Tudor AleA final note of interest was Mr. Harper’s use of Isinglass to clarify the ale. Of course, Tudor period brewers did not have fancy equipment to pull sediment from beer, so Isinglass, or dried sturgeon bladder, was added while the beer was in the cask. Isinglass allows the brewer to leave the yeast in the beer when it goes into the cask so that it ferments further, but the yeast will eventually solidify and drop out of the beer, leaving a clear product. Using it in this beer allowed Mr. Harper to incorporate the oak barrels, and still have a clear pint of beer at the end.

The result was Summit’s Tudor Ale, which tasted watery, sagey, and…not a lot like the beer to which we have become accustomed, from Summit or any other brewer. Hops were not introduced to England until later in beer history, so there was none of the hoppy flavor that has become so popular with the IPA movement.

In the Question and Answer period after Mr. Harper’s speech, a woman asked if Summit would be taking the Tudor Ale to commercial production. With a laugh, Mr. Harper asked how many audience members would buy the Tudor Ale in store. With the small number of hands that went up, I don’t think we’ll be seeing the sage-based Tudor Ale on tap at any restaurants. Although the beer would not be popular now, the CrossTalk lecture showed that, aside from style, the brewing world has not changed much between the 16th century and today.